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The use of physical totems or repositories of power has always been central to the ritual process; there is a two-way flow of potential between the actor and the object, whereby the object, which has a certain mystical, semantic, ritual, etc. significance, makes its inherent power available to the wielder (who is esoterically worthy of it, ie., has prepared his environment and himself through acts of purification, defilement, arrangement, etc., such that he is in a state of eligibility of the fetish object), and at the same time through incantation, gesture, and the performance of prescribed rites the actor imbues the object at the center of the rite _with_ significance and indeed legitimizes it as an element within the ontology of the belief system in question.

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